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Terence Mckenna -- Starwood Series 2 Part 1

  • Length: 10:12
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  • Author: OneSixTheAntiVirus

Tags: Mckenna  Terence 

Terence talks about DMT, time, and the dynamics of the psychedelic experience.

Your Blueprint -- The Assisian Principles II

  • Length: 9:49
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  • Author: NewLemurian

Tags: alan  arcturian  ayahuasca  buddha  cassiopeans  christ  dmt  haarp  krishnamurti  mayans  michael  multidimensionality  physics  pleiadians  psilocybin  ra  sacred  science  syrians  toltects  truth  tsarion  watts 

The lovely channel speaking is Jeshua from http://www.shalalea.ning.com check out his online community!

Graham Hancock - Supernatural (2/3)

  • Length: 9:19
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  • Author: ase010

Tags: amazon  ancestors  ancient  ayahuasca  consciousness  dna  entheogen  esoteric  evolution  Graham  hallucinogenic  Hancock  history  human  mankind  mystery  nature  plant  rainforest  shaman  spirit  Supernatural  teachers  visions  yage 

The evolution of modern humans has taken more than five million years but until less than 50,000 years ago we had no art, no religion, no sophisticated symbolism, no creative and innovative thinking, and quite possibly no language. Then, a dramatic and electrifying change overtook our ancestors in every part of the globe, and all the skills and qualities that we value most highly in ourselves today appeared suddenly, already fully formed, as though bestowed on us by hidden powers. Scientists describe this change as the greatest riddle in human history. The first art of mankind, in the painted caves and rock-shelters of southwest Europe and South Africa, dates back to the time of the great change. Why do these ancient paintings, tens of thousands of years old, depict beings of a kind that are never found in nature strange and eerie hybrids with the heads of animals and the bodies of humans? In the depths of the Amazon rainforest tribal shamans drink a powerful hallucinogenic brew called Ayahuasca (the vine of souls) in order to induce visions. When they return to normal consciousness, after experiencing what they believe is out-of-body travel in the spirit world, they make paintings of the intelligent beings they have encountered. Why are many of these beings also depicted as uncanny hybrids with the heads of animals or serpents and the bodies of humans? And why do the shamans say that they have taught them everything they know about how to live in the jungle, and about the medicinal value of rainforest plants? Why do Western lab volunteers, placed experimentally under the influence of hallucinogens such as DMT, psilocybin, mescaline and LSD, report visionary encounters with beings in the form of animal-human hybrids beings identical to those the Amazonian shamans claim to meet and to those painted by our ancestors in the prehistoric caves? What is the significance of the astonishing similarities between the entities known as aliens, ETs or greys in modern popular culture, the entities known as fairies, elves and goblins in the Middle Ages, and the entities that shamans in surviving tribal cultures know as ghosts, gods and spirits? Why are such figures depicted in prehistoric art as far afield as Africa, Europe, the Americas and Australia? Why have eminent scientists at the cutting edge of consciousness research, especially those who study the ways that hallucinogens work in the brain, recently begun to question long-established theories about the nature of reality? Why are some now even ready to consider the possibility, long ago embraced by shamans, that, far from being false perceptions, what we see in the strange imagery and experiences of hallucinations may be real perceptions of other dimensions and the beings inhabiting them? Why did Nobel Prize-winner Francis Crick keep concealed until his death the astonishing circumstances under which he first saw the double-helix structure of DNA? And why did he become convinced that the DNA molecule did not evolve naturally upon this planet but was sent here in bacteria by an alien civilisation? Why does the 97 per cent of DNA that scientists do not understand so-called junk DNA contain chemical sequences arranged in patterns and frequencies that are otherwise only found in the deep coding of all human languages? Could the supernaturals first depicted in the painted caves and rock shelters and still accessible to us today in altered states of consciousness be the ancient teachers of mankind? Could it be they who first ushered us into the full birthright of our humanity? And could it be that human evolution is not just the blind, meaningless natural process that Darwin identified, but something else, more purposive and intelligent, that we have barely even begun to understand? Sources: www.grahamhancock.com/supernatural/ Film footage from www.consciousmedianetwork.com/members/ghancock.htm

Graham Hancock - Supernatural (1/3)

  • Length: 9:19
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  • Author: ase010

Tags: Graham  Hancock  Supernatural 

The evolution of modern humans has taken more than five million years but until less than 50,000 years ago we had no art, no religion, no sophisticated symbolism, no creative and innovative thinking, and quite possibly no language. Then, a dramatic and electrifying change overtook our ancestors in every part of the globe, and all the skills and qualities that we value most highly in ourselves today appeared suddenly, already fully formed, as though bestowed on us by hidden powers. Scientists describe this change as the greatest riddle in human history. The first art of mankind, in the painted caves and rock-shelters of southwest Europe and South Africa, dates back to the time of the great change. Why do these ancient paintings, tens of thousands of years old, depict beings of a kind that are never found in nature strange and eerie hybrids with the heads of animals and the bodies of humans? In the depths of the Amazon rainforest tribal shamans drink a powerful hallucinogenic brew called Ayahuasca (the vine of souls) in order to induce visions. When they return to normal consciousness, after experiencing what they believe is out-of-body travel in the spirit world, they make paintings of the intelligent beings they have encountered. Why are many of these beings also depicted as uncanny hybrids with the heads of animals or serpents and the bodies of humans? And why do the shamans say that they have taught them everything they know about how to live in the jungle, and about the medicinal value of rainforest plants? Why do Western lab volunteers, placed experimentally under the influence of hallucinogens such as DMT, psilocybin, mescaline and LSD, report visionary encounters with beings in the form of animal-human hybrids beings identical to those the Amazonian shamans claim to meet and to those painted by our ancestors in the prehistoric caves? What is the significance of the astonishing similarities between the entities known as aliens, ETs or greys in modern popular culture, the entities known as fairies, elves and goblins in the Middle Ages, and the entities that shamans in surviving tribal cultures know as ghosts, gods and spirits? Why are such figures depicted in prehistoric art as far afield as Africa, Europe, the Americas and Australia? Why have eminent scientists at the cutting edge of consciousness research, especially those who study the ways that hallucinogens work in the brain, recently begun to question long-established theories about the nature of reality? Why are some now even ready to consider the possibility, long ago embraced by shamans, that, far from being false perceptions, what we see in the strange imagery and experiences of hallucinations may be real perceptions of other dimensions and the beings inhabiting them? Why did Nobel Prize-winner Francis Crick keep concealed until his death the astonishing circumstances under which he first saw the double-helix structure of DNA? And why did he become convinced that the DNA molecule did not evolve naturally upon this planet but was sent here in bacteria by an alien civilisation? Why does the 97 per cent of DNA that scientists do not understand so-called junk DNA contain chemical sequences arranged in patterns and frequencies that are otherwise only found in the deep coding of all human languages? Could the supernaturals first depicted in the painted caves and rock shelters and still accessible to us today in altered states of consciousness be the ancient teachers of mankind? Could it be they who first ushered us into the full birthright of our humanity? And could it be that human evolution is not just the blind, meaningless natural process that Darwin identified, but something else, more purposive and intelligent, that we have barely even begun to understand? Sources: www.grahamhancock.com/supernatural/ Film footage from www.consciousmedianetwork.com/members/ghancock.htm

Dark wihsper_-_dmt_curandee-mycel

  • Length: 9:48
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  • Author: indumatra

Tags: Alexander  Alternative  Atom  Bart  Berg  Big  Blues  Brohter  car  cool  Cpc  Curandee  Dark  DARKPSY  Dennis  DM  dmreligiös  Dmt  Dummer  Ecatasy  elektronisch  Folk  Friends  Fullmoon  Fusion  Gina  Gitarre  Goa  Heder  Hip-Hop  Homer  Indian  Indie  Indumatra  Jazz  joy  klassisch  Kokain  Label  Land  Lsd  Marco  Marge  Mirow  Mushroom  Oma  On  Opa  Party  Peace  Peter  Pop  Popstars  Psy  psychedelic  RB  Rap  REVOLUT  Rock  Ronny  Russe  schranz  Simpson  Soul  Spirit  Starsow  Unsigned  Weltmusik  Wenk  yakusa 

Þکy ॐ Фузион ☣☣☣☣☣☣☣☣☣ C20H25N3O ╔═╦═╦═╦═╦═╗ ║║║═╣═║╔╣═╣ ║╔╣═╣║║╚╣═╣ ╚╝╚═╩╩╩═╩═╝

Palestinian girl stands up to Israeli soldiers

  • Length: 2:36
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  • Author: damienz007

Tags: 1976  2012  9/11  911  alien  aliens  and  area51  between  Blair  Bush  canibus  Cheney  cia  Clinton  Conspiracy  Criminal  december  Depression  DMT  else  everything  expired  fbi  Gas  illuminati  Impeach  Israeli  kgb  life  London  mars  matrix  McCain  NASA  neo  new  nwo  Obama  Oil  order  Ossetia  palestine  passport  Peak  pindz  Prices  Recession  secret  signs  soldiers  Space  stb  Street  terror  the  Truth  ufo  ufos  Wall  war  world  wtc 

Palestinian girl stands up to Israeli soldiers.

Signs of Life on Mars (1976)

  • Length: 3:22
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  • Author: damienz007

Tags: 1976  2012  9/11  911  alien  aliens  and  area51  between  Blair  Bush  canibus  Cheney  cia  Clinton  Conspiracy  Criminal  december  Depression  DMT  else  everything  expired  fbi  Gas  illuminati  Impeach  kgb  life  London  mars  matrix  McCain  NASA  neo  new  nwo  Obama  Oil  order  Ossetia  passport  Peak  pindz  Prices  Recession  secret  signs  Space  stb  Street  terror  the  Truth  ufo  ufos  Wall  war  world  wtc 

Signs of Life on Mars (1976) http://mars.spherix.com/mars.html

Police Fatally Shoot Unarmed Man

  • Length: 4:4
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  • Author: damienz007

Tags: 2012  9/11  911  alien  aliens  and  area51  between  Blair  Bush  canibus  Cheney  cia  Clinton  Conspiracy  Criminal  december  Depression  DMT  else  everything  expired  Fatally  fbi  Gas  illuminati  Impeach  israel  jews  kgb  London  Man  matrix  McCain  mosad  NASA  neo  new  nwo  OBAMA  Oil  order  Ossetia  passport  Peak  Police  Prices  Recession  secret  Shoot  Space  stb  Street  terror  the  Truth  ufo  ufos  Unarmed  Wall  war  world  wtc  zion  ZIONIST 

Oscar Grant III, fatally shot by an unidentified BART(Oakland,CA) officer early New Year\'s Day. Oscar Grant was unarmed, laying face down and shot in the back. welcome to the MARTIAL LAW.

AL QAEDA does not exist

  • Length: 8:6
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  • Author: damienz007

Tags: 2012  9/11  911  alien  aliens  and  area51  between  Blair  Bush  canibus  Cheney  cia  Clinton  Conspiracy  Criminal  december  Depression  DMT  else  everything  expired  fbi  Gas  illuminati  Impeach  israel  jews  kgb  London  matrix  McCain  mosad  NASA  neo  new  nwo  OBAMA  Oil  order  Ossetia  passport  Peak  Prices  Recession  secret  Space  stb  Street  terror  the  Truth  ufo  ufos  Wall  war  world  wtc  zion  ZIONIST 

CREATED BY ILLUMINATI CIA.

2012: Time is Running Out

  • Length: 5:51
  • Rating: 5.00 (1 ratings)
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  • Author: DMTTRIPcom

Tags: 2012  ayahuasca  bible  calendar  dmt  mayan  mckenna  new  novelty  nwo  order  psychedelic  shaman  terence  theory  world 

Terence Mckenna

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